We have to go back in time again to discuss the genesis of King’s tenth published novel, his third under the Richard Bachman pen name. In 1973, he finished the first draft of ‘Salem’s Lot (known as Second Coming at the time). Carrie was slated for publication the following spring. However, his mother, Ruth, died in December of that year after a long and painful illness. She knew her son would be published, but never got to see it happen.
Her death left King grieving and shaken by the apparent senselessness of how cancer had tormented her. In an effort to work through his thoughts and feelings about this loss, he started writing Roadwork. The book has a number of autobiographical aspects. The protagonist, Barton George Dawes, has recently lost a family member to cancer. Like King, who memorialized the experience in his short story “The Mangler,” Dawes worked at an industrial laundry. In fact, the company has the same name in both stories: The Blue Ribbon Laundry, and the ironing machine in Roadwork is nicknamed “the mangler.” Anyone who suspected that Bachman was really King would have their smoking gun from these details alone.
Roadwork was also an effort to write a straight novel, i.e. one that would not be classified as horror or science fiction. In the essay “Why I was Bachman,” King says he was young enough at the time to worry about the “casual cocktail-party question” about when he was going to write something “serious.” » Read more