Stephen King freely admits that one of the reasons he agreed to the project that became Cycle of the Werewolf was because he was drunk when a young Michigan publisher named Christopher Zavisa approached him at the World Fantasy Convention in Providence, Rhode Island in 1979.
King also believes Silver Bullet is the only motion picture developed from something that started out as a calendar concept.
Zavisa’s pitch intrigued King. The publisher, who had established Land of Enchantment Press initially to promote Wrightson’s works, wanted King to come up with a set of twelve vignettes that would each be accompanied by a Berni Wrightson painting and a calendar grid. There would be some kind of continuity among the segments, as if it were all a larger story.
The concept of a story calendar appealed to King, as did the idea of working with a small press. At that point in his career, King was feeling a little guilty about his immense success compared to many other writers, especially those he had idolized as a kid. He mentions as an example the fact that Frank Belknap Long had come to the World Fantasy Convention on a bus because he couldn’t afford to travel by train, let alone by airplane. He fully expected to be snubbed as a young whippersnapper at the con, although he was in fact treated generously and kindly by people he was astonished to think of as his colleagues. » Read more