After losing his job at Doubleday, Bill Thompson moved to Everest House, but he and King remained good friends, going to lunch and attending baseball games together. In November 1978, Thompson approached King about the possibility of doing a book about horror in movies, television and radio over the previous thirty years. Since it would be a work of non-fiction, King wouldn’t have to offer it to his fiction publisher, NAL.
At the time, King was living in Orrington, Maine and teaching creative writing and literature courses as a writer-in-residence at the University of Maine, his first experience teaching at the university level. In the evenings, he was finishing work on Firestarter.
The concept intrigued King, but he wasn’t enthusiastic about the project at first. It intimidated him. It was easier to tell lies in fiction than write the truth in non-fiction, he thought. It wouldn’t be his first time writing about the nature of fear and why people want to be scared by something entertaining, though. He’d prepared a long forward on the subject in Night Shift, for example.
Thompson was persistent and persuasive. He asked King how often he had been asked why he wrote horror and why people read horror. If he wrote this book, King would never have to answer those kinds of questions again, Thompson argued. All he’d have to do is say, “I wrote this book.” It would be his “Final Statement” on the matter. » Read more
THAT WAS THEN…
‘SALEM’S LOT was the first Stephen King novel I ever read.
I carried the paperback (with the bright red drop of blood dripping from the embossed black fang) everywhere I went. I’d picked it up used at — where else? — Carol’s Used Bookstore in good old downtown Edgewood, and by the time I was finished reading it, the cover was torn off and missing and most of the pages were dog-earred. I still have that copy today.
I was fifteen years old when I discovered ‘SALEM’S LOT. It was shortly after I’d read “The Monkey,” along with the rest of my tenth grade English class, and I was itching to try a full-length Stephen King book. I remember starting the novel on a school day. In the middle of class. My History teacher was not amused. Neither were my parents, a few days later, when I tried to sneak in a couple chapters during Sunday church service. » Read more
After Doubleday accepted Carrie for publication, Stephen King’s editor, Bill Thompson, asked what they should consider for his follow-up. King had two books in mind, Roadwork ¹ and ‘Salem’s Lot (originally titled Second Coming ²). Thompson warned King that if they went with the vampire novel, King ran the risk of being branded a horror writer. King said that as long as the checks didn’t bounce, he didn’t care what people called him.
He’d started ‘Salem’s Lot in 1972, when life was still difficult for the family. He was writing in the furnace room of their trailer with a fourth-grade desk propped on his knees to support his wife’s Olivetti typewriter, while Tabitha tried to figure out which bills had to be paid now and which could be put off. Fighting vampires was a form of escape for King. They seemed more benign than the creditors harassing them. » Read more